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Moving Through the Boreal Forest

by Sean Dowgray, Daryl Farmer, Maïté Agopian

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1.
Introduction 11:38
2.
3.
4.
Winter - Daryl Farmer _____ Silence. Spruce branches bow with the clinging weight of snow. The mid-afternoon sun a pale orb behind thin gray clouds. A fox’s deep night foray preserved in prints that lead through trees and brush. All still as if time too is frozen, as if the earth’s rotation is taking pause to reflect on its millenniums of motion. All still, save for the sun just-risen already on its way down, and the wood-smoke’s ghostly rise. Silence. but for the slow crunch of boots, so stop. Stand in solemn quiescence, Wander through the dim dusk, snow falling, its glimmer like stars. This long dark, winter fading, now lit by ever-lengthening days the cold invites solitude, a balm against frenzy. Birch, some stately as monks, some bent, like frozen dancers in pose. Breath clouds, dissipate, rise become air, become the trees, become the slate for ranges across the deep cold. It’s the light, that matters here. alpenglow pink, magenta, seafoam green aurora waves, the line orange line of twilight just above the horizon now. No small matter, this light. The light, the not quite dark snow reflected light of night.
5.
6.
Fire 06:05
Fire - Daryl Farmer _____ Summers I rise bringing my own cackling silence: You know my flames, my smoke, my warmth, My orange to blue-flame waves, my black burnt scent. For centuries, constrained, I have provided, And yet an entity like I, unleashed, needs the freedom of mayhem, Needs the particulate release, the invasion of lungs, of bloodstreams, Needs greedy gluttony, to devour and leave the ashen forest bones Smoldering in my wake. Summers I rise bringing my own cackling hiss: You know my flicker, my dance, my sizzle, My orange to blue-flame waves, my black burnt scent. For centuries, constrained, I have provided, And yet an entity like I, unleashed, needs the roar of chaos, Needs the particulate release, the invasion of lungs, of bloodstreams, Needs the greedy gluttony, to devour and leave the ashen forest bones Smoldering in my wake. Summers I rise bringing my own cackling rage: You know my flames, my ash, my heat, My orange to blue-flame waves, my black burnt scent. For centuries, constrained, I have provided, And yet an entity like I, unleashed, needs the power of ruin, Needs the particulate release, the invasion of lungs, of bloodstreams, Needs greedy gluttony, to devour and leave the ashen forest bones Smoldering in my wake.
7.
Preserve - Daryl Farmer _____ The glacier’s calves shed and drift out to join the sea. A slow lament in the water’s rise as The cold blue ridges fade. What can be preserved? What future? This boreal forest, its groves, and bogs, and marshes, and lakes. All spread across three continents. The thermal balance of its permafrost. What can be sustained? What future? Reintroduced species bring flora and birdsong, culture and dreams. Something once lost replenished, once broken repaired. What can be restored? What future? What hope? All that this forest provides: Sustenance, medicine, beauty. A trail for calm and solitude at day’s end. Solitude, but not isolation; reciprocity between our breathing and the trees’. What can be preserved? What future?
8.

about

Moving Through the Boreal Forest presents a sonic ecosystem of field recordings throughout Alaska, found sounds from my explorations throughout In A Time of Change: Boreal Forest Stories (ITOC), and performed sounds of my own creation. The timbral diversity of various percussion instruments combined with the many sounds of the boreal forest presents a sonic dialogue that has been of primary interest to me throughout ITOC, as both a music performer and as a listener and learner of this particular biome. The field recordings reorient the percussion instruments back to their original material state: wood, metal, stone, earth, and skin. In turn, the performed sounds open up the expressive aspects of the forest itself. At times the field recordings are most prominent, other times the performed sounds are heard alone, and occasionally the two are indistinguishable.

Proceeds (after expenses) for this album will go to the University of Alaska Fairbanks percussion studio to further its mission of exploratory music learning.

credits

released September 4, 2023

Daryl Farmer, poet
Maïté Agopian, photos/album cover

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Sean Dowgray Alaska

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